Here is now the post with the proper heading for this announcement of my new music recording: Edvard Grieg's "Peer Gynt Suite No.1, Op.46, II. The Death of Ase".
The MP3 file and the WMA file are available on my website.
In this blog I describe my activities in composing and recording music. Stay tuned for updates on new releases, for comments, and for background info about my recordings and compositions.
Showing posts with label Grieg. Show all posts
Showing posts with label Grieg. Show all posts
Wednesday, 2 February 2011
A Quickie During Lunchtime
This heading is actually incorrect: it happened not during lunchtime but in the late evening hours, between 22:40 and 00:05, to be precise. I had just finished a meeting with my collaborators on the latest music project, a bit outside of my own comfort zone, something new and exciting - in the coming months I will post more details, but for now I have to keep quiet about this project. We had met in my little studio in Leeds, and Maestro-2 was at its best producing nice sounds, for the accompaniment of the singer. Oops, here I said it - but no more details for now! After everybody had left, I was still in the mood to produce some music, and I thought again of Grieg's Peer Gynt Suite. That second movement of the Suite No.1, "Ase's Death", looked like it could be done within two hours. First I watched the BBC 10 o'clock news, then I began to work. Yes that music is just strings with sordino, very slow, just two pages. And indeed, I had completed the recording within 1 hour 25 minutes. Good - a new quickie rendition completed!
And here it is, your moment of Zen: The MP3 file and the WMA file of Edvard Grieg's "Peer Gynt Suite No.1, Op.46, II. The Death of Ase".
Next will be "Solveig's Song", and then I just have to rework my old rendition of "In the Hall of the Mountain King", and the whole Suite No.1 is completed.
And now it would be the right time to change the heading of this post...
And here it is, your moment of Zen: The MP3 file and the WMA file of Edvard Grieg's "Peer Gynt Suite No.1, Op.46, II. The Death of Ase".
Next will be "Solveig's Song", and then I just have to rework my old rendition of "In the Hall of the Mountain King", and the whole Suite No.1 is completed.
And now it would be the right time to change the heading of this post...
Sunday, 30 January 2011
Edvard Grieg: "Morning Mood" (Morgenstimmung)
When I woke up this Saturday morning, I suddenly had the idea to create a completely new rendition of a music I had not really planned for: Edvard Grieg's "Morning Mood", which is the first movement of the Peer Gynt Suite No.1. This is a very popular piece, one of the standard "war horses" of classical concert music. Back in 2000 I had already created a version of the 4th movement of that suite: "In the Hall of the Mountain King". At that time it took me one month to complete the rendition of that 4th movement, and now I was curious to see how long it would take me with improved techniques and technology to create the rendition of the first movement. They have almost an identical number of bars (1st movement: 87, 4th movement: 88), but the score of the 4th movement goes over 16 pages, while the 1st movement only covers 14 pages. Still relatively close.
I began at 10am in the morning, using the standard orchestra template I had created with the Garritan Personal Orchestra 4 samples. Initially I worked only in small segments, creating renditions of complete pages, and I was able to work at a rate of 2 pages per hour. Then I changed the strategy and completed individual instrument tracks to the very end: bassoon and strings were the first to be completed. Since the were several laborious 16th note segments, I could not uphold the original work speed, but the complete movement was finished at 7pm - and that includes lunch and dinner break. One more hour to fix some tempo and volume balance issues, and the movement was ready.
This was a new speed record: I am now able to create a rendition of one complete movement of moderate difficulty within one single day.
The tempo in the Eulenburg No. 1318 score is given as 3/8 = 60 bpm. I personally feel that is is a bit fast and rushed, and I think that most conductors take it slower than this. But the movement is titled "Allegretto", so it is not really intended to be too slow.
The recording is available on my page as MP3 file and as WMA file.
I hope you enjoy this rendition!
I began at 10am in the morning, using the standard orchestra template I had created with the Garritan Personal Orchestra 4 samples. Initially I worked only in small segments, creating renditions of complete pages, and I was able to work at a rate of 2 pages per hour. Then I changed the strategy and completed individual instrument tracks to the very end: bassoon and strings were the first to be completed. Since the were several laborious 16th note segments, I could not uphold the original work speed, but the complete movement was finished at 7pm - and that includes lunch and dinner break. One more hour to fix some tempo and volume balance issues, and the movement was ready.
This was a new speed record: I am now able to create a rendition of one complete movement of moderate difficulty within one single day.
The tempo in the Eulenburg No. 1318 score is given as 3/8 = 60 bpm. I personally feel that is is a bit fast and rushed, and I think that most conductors take it slower than this. But the movement is titled "Allegretto", so it is not really intended to be too slow.
The recording is available on my page as MP3 file and as WMA file.
I hope you enjoy this rendition!
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